The record is a logical creative step for The Secret Machines, over Now Here Is Nowhere (2004) and Ten Silver Drops(2006). It’s a nod ahead of to, yet not a departure from, the psychedelic rock that has helped make Dallas-bred NYC transplants a fan critical darling in the U.S. and Europe – not to mention favorites of U2′s The Edge and David Bowie. Going forward the band sees nothing but open skies.

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